1 00:00:01,484 --> 00:00:05,488 PERHAPS NOW IT WILL ALL COME OUT. 2 00:00:17,500 --> 00:00:21,504 [ Footsteps On Gravel ] 3 00:00:34,517 --> 00:00:36,519 IT STINKS. 4 00:00:36,519 --> 00:00:38,521 BUT IT'S TRUE. I DON'T CARE. 5 00:00:38,521 --> 00:00:41,024 IT'S TRUE, IT'S NOT TRUE. IT STINKS. 6 00:00:41,024 --> 00:00:43,526 YOU SAY HE WAS BEING BLACKMAILED ? BY WHO ? YOU DON'T KNOW. 7 00:00:44,027 --> 00:00:46,529 FOR HAVING AN AFFAIR. WITH WHO ? YOU DON'T KNOW. 8 00:00:46,529 --> 00:00:49,532 DID ANYONE ELSE KNOW ABOUT IT ? PROBABLY NOT. YOU DON'T KNOW. 9 00:00:49,532 --> 00:00:52,035 I KNEW ABOUT IT. 10 00:00:52,035 --> 00:00:54,037 BIG DAVE TOLD ME ABOUT IT... 11 00:00:54,037 --> 00:00:57,040 AND THE SPOT HE WAS PUTTING HIMSELF IN BY GETTING THE MONEY. 12 00:00:57,040 --> 00:01:00,543 TERRIFIC ! YOUR HUSBAND BACKS YOU UP. THAT'S TERRIFIC. 13 00:01:00,543 --> 00:01:03,046 COME ON, YOU GOTTA GIVE ME SOMETHING TO WORK WITH. 14 00:01:03,046 --> 00:01:05,548 FREDDY RIEDENSCHNEIDER IS GOOD, BUT HE'S NOT A MAGICIAN. 15 00:01:05,548 --> 00:01:09,552 HE CAN'T JUST WAVE HIS LITTLE WAND IN THE AIR TO MAKE A PLAUSIBLE DEFENSE MATERIALIZE. 16 00:01:10,053 --> 00:01:12,055 LOOK AT WHAT THE OTHER SIDE IS GONNA RUN AT US. 17 00:01:12,555 --> 00:01:17,060 THEY GOT THE COMPANY BOOKS PREPARED BY YOU, COOKED BY YOU. THAT'S MOTIVE. 18 00:01:17,060 --> 00:01:20,063 THEY GOT A MURDER SCENE YOU HAD ACCESS TO. THAT'S OPPORTUNITY. 19 00:01:20,063 --> 00:01:23,066 THEY GOT THAT LITTLE TRIMMER THING HE WAS STABBED IN THE THROAT WITH. 20 00:01:23,066 --> 00:01:25,068 A DAME'S WEAPON. IT WAS BIG DAVE'S. 21 00:01:25,068 --> 00:01:27,070 DON'T INTERRUPT ME. THAT'S MEANS. 22 00:01:27,070 --> 00:01:29,572 THEY GOT A FINE, UPSTANDING PILLAR OF THE BUSINESS COMMUNITY AS A VICTIM, 23 00:01:30,073 --> 00:01:31,574 AND THEN THEY GOT YOU, 24 00:01:32,075 --> 00:01:35,078 A DISGRUNTLED, NUMBER-JUGGLING UNDERLING, 25 00:01:35,078 --> 00:01:37,580 WHO ON THE DAY IN QUESTION WAS DRUNK AS A SKUNK... 26 00:01:37,580 --> 00:01:42,585 AND WHOSE ALIBI FOR THE TIME IN QUESTION IS BEING PASSED OUT AT HOME, ALONE. 27 00:01:42,585 --> 00:01:45,088 I WAS WITH HER. 28 00:01:45,088 --> 00:01:48,591 LIKE I SAY, IT STINKS. 29 00:01:56,599 --> 00:01:58,601 I KILLED HIM. 30 00:02:13,116 --> 00:02:16,119 OKAY. YOU KILLED HIM. 31 00:02:18,621 --> 00:02:22,625 OKAY, WE FORGET THE BLACKMAIL THING. YOU KILLED HIM. 32 00:02:22,625 --> 00:02:24,627 HOW COME ? 33 00:02:27,630 --> 00:02:30,133 HE AND DORIS, UH, WERE HAVING AN AFFAIR. 34 00:02:34,137 --> 00:02:38,641 OKAY. HOW DID YOU KNOW ? 35 00:02:40,143 --> 00:02:42,145 I JUST KNEW. 36 00:02:43,146 --> 00:02:46,149 A HUSBAND KNOWS. 37 00:02:46,149 --> 00:02:49,652 WILL ANYONE ELSE SAY THEY KNEW ? AND DON'T SAY YOUR WIFE. 38 00:02:49,652 --> 00:02:51,654 I DON'T KNOW. 39 00:02:53,656 --> 00:02:55,658 I DON'T THINK SO. 40 00:02:55,658 --> 00:02:59,162 [ Sighs ] HOW DID YOU GET INTO THE STORE ? 41 00:02:59,162 --> 00:03:01,164 I TOOK DORIS'S KEYS. 42 00:03:01,164 --> 00:03:05,168 WILL ANYONE SAY THEY SAW YOU THERE, ON YOUR WAY THERE, IN THERE, ON YOUR WAY BACK ? 43 00:03:07,670 --> 00:03:09,672 I DON'T THINK SO. 44 00:03:09,672 --> 00:03:12,675 WILL ANYONE CORROBORATE ANY GODDAMN PART OF YOUR STORY AT ALL ? OH, COME ON ! 45 00:03:13,176 --> 00:03:17,180 PEOPLE, YOU CAN'T HELP EACH OTHER LIKE THAT. 46 00:03:17,180 --> 00:03:20,183 [ Sighs ] LET'S BE REALISTIC, NOW. 47 00:03:20,183 --> 00:03:23,686 LET'S LOOK AT OUR OPTIONS. 48 00:03:23,686 --> 00:03:26,189 WELL, FRANKLY, I DON'T SEE ANY OPTIONS. 49 00:03:26,189 --> 00:03:31,194 LOOK, I CANNOT PRESENT STORY "A." I CANNOT PRESENT STORY "B." 50 00:03:31,194 --> 00:03:34,697 I COULD PLEAD YOU FOR A NUTCASE, BUT YOU LOOK TOO COMPOSED. 51 00:03:34,697 --> 00:03:37,200 I COULD OFFER A GUILTY PLEA, AND IN RETURN THEY DON'T GIVE YOU THE JUICE, 52 00:03:37,200 --> 00:03:39,702 BUT I DON'T THINK YOU WANT TO SPEND THE REST OF YOUR LIFE IN CHINO. 53 00:03:39,702 --> 00:03:43,206 I KNOW YOU DIDN'T HIRE FREDDY RIEDENSCHNEIDER TO HOLD YOUR HAND AT A SENTENCING HEARING. 54 00:03:43,206 --> 00:03:45,208 YOU COULD HAVE GOTTEN LLOYD GARROWAY FOR THAT. 55 00:03:45,208 --> 00:03:48,211 NO, NO, NO, NO. WE'RE NOT GIVING UP YET. 56 00:03:48,211 --> 00:03:51,214 YOU HIRED FREDDY RIEDENSCHNEIDER, IT MEANS YOU'RE NOT THROWING IN THE TOWEL. 57 00:03:51,714 --> 00:03:55,218 I LITIGATE. I DON'T CAPITULATE. 58 00:03:55,218 --> 00:03:58,721 ALL RIGHT. NO OPTIONS ? WE GOTTA THINK. 59 00:03:58,721 --> 00:04:03,226 ALL RIGHT. WE GO BACK TO THE BLACKMAIL THING. YEAH, IT TITILLATES. 60 00:04:03,226 --> 00:04:05,728 IT'S OPEN-ENDED, AND IT MAKESHIM THE BAD GUY. 61 00:04:05,728 --> 00:04:08,231 YOU DIG AROUND, YOU NEVER KNOW. SOMETHING UNSAVORY FROM HIS PAST. 62 00:04:08,231 --> 00:04:11,234 HE APPROACHES YOU TO HELP HIM WITH THE MONEY, HIS PAST COMES BACK TO HAUNT HIM. 63 00:04:11,234 --> 00:04:13,736 WHO'S TO SAY ? YEAH. YEAH. YEAH. YEAH. 64 00:04:13,736 --> 00:04:16,239 FORGET THE JEALOUS HUSBAND THING. THAT'S JUST SILLY. 65 00:04:16,239 --> 00:04:20,243 WE'RE GOING WITH THE BLACKMAIL. I'LL BE IN TOUCH. I'M COMIN' OUT ! 66 00:04:20,243 --> 00:04:24,247 [ Door Hinges Creaking ] 67 00:04:24,247 --> 00:04:27,250 [ Door Slams ] 68 00:04:29,252 --> 00:04:32,755 [ Ed ] OF COURSE THERE WAS ONE PERSON WHO COULD CONFIRM DORIS'S STORY, 69 00:04:32,755 --> 00:04:34,757 OR PLENTY OF IT. 70 00:04:34,757 --> 00:04:37,760 THE DRY-CLEANING PANSY. 71 00:04:37,760 --> 00:04:40,263 BUT HE'D LEFT THE HOTEL, SKIPPED OUT ON HIS BILL. 72 00:04:41,764 --> 00:04:44,767 HE'D ALSO DISAPPEARED FROM THE RESIDENCE HE GAVE ME, 73 00:04:44,767 --> 00:04:46,769 OWING TWO MONTHS' RENT. 74 00:04:46,769 --> 00:04:48,771 HOW COULD I HAVE BEEN SO STUPID ? 75 00:04:48,771 --> 00:04:51,774 HANDING OVER $10,000 FOR A PIECE OF PAPER. 76 00:04:53,776 --> 00:04:56,779 AND THE MAN GONE, LIKE A GHOST. 77 00:04:56,779 --> 00:05:01,284 DISAPPEARED INTO THIN AIR, VAPORIZED LIKE THE NIPS AT NAGASAKI. 78 00:05:01,284 --> 00:05:03,286 GONE NOW. 79 00:05:05,788 --> 00:05:08,791 [ Inhales Deeply ] ALL GONE. 80 00:05:09,292 --> 00:05:12,295 THE MONEY GONE, BIG DAVE GONE, 81 00:05:12,795 --> 00:05:15,298 DORIS GOING. 82 00:05:15,298 --> 00:05:17,800 HOW COULD I HAVE BEEN SO STUPID ? 83 00:05:17,800 --> 00:05:20,803 84 00:05:20,803 --> 00:05:32,315 85 00:05:32,315 --> 00:05:35,318 [ Ice Tinkling In Glass ] 86 00:05:35,318 --> 00:05:38,321 87 00:05:38,321 --> 00:05:41,324 SHE MAKES THIS STUFF SHE CALLS A DUFF. 88 00:05:41,824 --> 00:05:45,828 IT'S GOT EGG IN THERE. IT'S GOT SUGAR. IT'S GOT-- 89 00:05:45,828 --> 00:05:49,832 IT'S CAKE, BASICALLY, EXCEPT SHE CALLS IT DUFF. 90 00:05:49,832 --> 00:05:52,335 YOU KNOW, LIKE IF YOU DON'T CALL IT CAKE, 91 00:05:52,335 --> 00:05:54,837 YOU DON'T PUT ON ANY WEIGHT. 92 00:05:54,837 --> 00:05:59,342 LIKE I NEED TO BE EATING DUFF. YOU KNOW WHAT I'M SAYING ? 93 00:05:59,342 --> 00:06:01,844 [ Ed ] SOONER OR LATER, EVERYONE NEEDS A HAIRCUT. 94 00:06:02,345 --> 00:06:06,849 [ Continues, Indistinct ] WE WERE WORKING FOR THE BANK NOW. 95 00:06:06,849 --> 00:06:10,853 WE KEPT CUTTING THE HAIR, TRYING TO STAY AFLOAT, 96 00:06:10,853 --> 00:06:14,857 [ Loud Muttering ] MAKE THE PAYMENTS, TREAD THE WATER DAY BY DAY, 97 00:06:16,359 --> 00:06:18,861 DAY BY DAY. 98 00:06:21,364 --> 00:06:24,367 MOST PEOPLE THINK SOMEONE'S ACCUSED OF A CRIME, 99 00:06:24,367 --> 00:06:27,370 THEY HAUL 'EM IN AND BRING 'EM TO TRIAL, BUT IT'S NOT LIKE THAT. 100 00:06:27,370 --> 00:06:29,372 IT'S NOT THAT FAST. 101 00:06:29,372 --> 00:06:32,375 THE WHEELS OF JUSTICE TURN SLOW. 102 00:06:32,375 --> 00:06:35,378 THEY HAVE THE ARRAIGNMENT, THEN THE INDICTMENT, 103 00:06:35,378 --> 00:06:39,382 AND THEY ENTERTAIN MOTIONS TO DISMISS AND POSTPONE AND CHANGE THE VENUE... 104 00:06:39,382 --> 00:06:42,385 AND ALTER THIS AND THAT AND THE OTHER. 105 00:06:42,385 --> 00:06:45,388 THEY IMPANEL A JURY, WHICH BRING MORE MOTIONS. 106 00:06:45,388 --> 00:06:48,391 THEN THEY SET A TRIAL DATE, AND THEN THEY CHANGE THE DATE. 107 00:06:48,391 --> 00:06:52,395 AND THEN, OFTEN AS NOT, THEY'LL CHANGE IT AGAIN. NOT GUILTY, YOUR HONOR. 108 00:06:52,395 --> 00:06:55,898 I SAYS, "HONEY, IF YOU'RE GONNA MAKE COFFEE, MAKE A LITTLE BIT OF COFFEE." 109 00:06:55,898 --> 00:06:58,901 AND THROUGH ALL OF IT, WE CUT THE HAIR. 110 00:07:04,407 --> 00:07:08,411 MEANTIME, FREDDY RIEDENSCHNEIDER SLEPT AT THE METROPOLE... 111 00:07:10,913 --> 00:07:14,917 AND SHOVELED IT IN AT DA VINCI'S. 112 00:07:14,917 --> 00:07:19,422 HE'D BROUGHT IN A PRIVATE INVESTIGATOR FROM SACRAMENTO... 113 00:07:19,422 --> 00:07:22,425 TO NOSE AROUND INTO BIG DAVE'S PAST. 114 00:07:39,942 --> 00:07:43,446 I FOUND MYSELF, MORE AND MORE, GOING OVER TO THE ABUNDAS'S. 115 00:07:43,446 --> 00:07:47,450 IT WAS A ROUTINE WE FELL INTO MOST EVERY EVENING. 116 00:07:47,450 --> 00:07:50,953 I EVEN WENT WHEN WALTER WAS AWAY ON HIS RESEARCH TRIPS. 117 00:07:50,953 --> 00:07:54,457 118 00:07:54,457 --> 00:07:56,459 HE WAS A GENEALOGIST, 119 00:07:56,459 --> 00:07:59,962 HAD TRACED BACK HIS SIDE OF THE FAMILY SEVEN GENERATIONS, 120 00:07:59,962 --> 00:08:01,964 HIS LATE WIFE'S EIGHT. 121 00:08:01,964 --> 00:08:03,966 IT SEEMED LIKE A SCREWY HOBBY, 122 00:08:04,467 --> 00:08:06,969 BUT THEN MAYBE ALL HOBBIES ARE. 123 00:08:09,972 --> 00:08:14,477 MAYBE WALTER FOUND SOMETHING THERE IN THE OLD COUNTY COURTHOUSES, 124 00:08:14,477 --> 00:08:16,479 HOSPITAL FILE ROOMS, 125 00:08:16,479 --> 00:08:19,482 CITY ARCHIVES, PROPERTY ROLLS, 126 00:08:19,482 --> 00:08:21,984 REGISTRIES. 127 00:08:21,984 --> 00:08:25,488 SOMETHING MAYBE LIKE WHAT I FOUND LISTENING TO BIRDY PLAY. 128 00:08:25,488 --> 00:08:28,991 SOME KIND OF ESCAPE. 129 00:08:29,492 --> 00:08:32,995 SOME KIND OF PEACE. 130 00:08:44,006 --> 00:08:46,509 [ People Chattering In Distance ] 131 00:08:46,509 --> 00:08:49,512 [ Hinges Creaking ] 132 00:09:14,036 --> 00:09:17,540 THEY GOT THIS GUY IN GERMANY. 133 00:09:19,041 --> 00:09:22,044 FRITZ SOMETHING OR OTHER. 134 00:09:22,044 --> 00:09:24,046 OR IS IT-- MAYBE IT'S WERNER. 135 00:09:24,046 --> 00:09:27,550 ANYWAY... HE'S GOT THIS THEORY. 136 00:09:29,051 --> 00:09:32,054 YOU WANT TO TEST SOMETHING, YOU KNOW, SCIENTIFICALLY-- 137 00:09:32,054 --> 00:09:35,057 HOW THE PLANETS GO 'ROUND THE SUN, 138 00:09:35,057 --> 00:09:37,560 WHAT SUNSPOTS ARE MADE OF, 139 00:09:38,060 --> 00:09:40,563 WHY THE WATER COMES OUT OF THE TAP-- 140 00:09:40,563 --> 00:09:43,566 WELL, YOU GOTTA LOOK AT IT. 141 00:09:43,566 --> 00:09:47,570 BUT SOMETIMES YOU LOOK AT IT-- 142 00:09:47,570 --> 00:09:50,573 YOUR LOOKING CHANGES IT. 143 00:09:53,576 --> 00:09:57,079 YOU CAN'T KNOW THE REALITY OF WHAT HAPPENED, 144 00:09:57,079 --> 00:09:59,081 OR WHAT WOULD HAVE HAPPENED, 145 00:09:59,081 --> 00:10:03,085 IF YOU HADN'T STUCK IN YOUR OWN GODDAMN SCHNOZZ. 146 00:10:03,085 --> 00:10:06,088 SO THERE IS NO "WHAT HAPPENED." 147 00:10:06,088 --> 00:10:08,090 LOOKING AT SOMETHING... 148 00:10:08,090 --> 00:10:10,092 CHANGES IT. 149 00:10:14,597 --> 00:10:17,600 THEY CALL IT THE UNCERTAINTY PRINCIPLE. 150 00:10:18,100 --> 00:10:22,605 SURE, IT SOUNDS SCREWY, BUT EVEN EINSTEIN SAYS THE GUY'S ONTO SOMETHING. 151 00:10:25,608 --> 00:10:27,610 SCIENCE. 152 00:10:27,610 --> 00:10:29,612 PERCEPTION. 153 00:10:32,114 --> 00:10:35,618 REALITY. DOUBT. 154 00:10:37,119 --> 00:10:40,623 REASONABLE... DOUBT. 155 00:10:42,124 --> 00:10:45,628 I'M SAYING THAT SOMETIMES THE MORE YOU LOOK, 156 00:10:45,628 --> 00:10:48,130 THE LESS YOU REALLY KNOW. 157 00:10:49,632 --> 00:10:53,135 IT'S A FACT, A PROVED FACT. 158 00:10:53,135 --> 00:10:55,638 IN-- IN A WAY, 159 00:10:55,638 --> 00:10:58,641 IT'S THE ONLY FACT THERE IS. 160 00:11:01,143 --> 00:11:04,647 THIS HEINIE EVEN WROTE IT OUT IN NUMBERS. 161 00:11:07,149 --> 00:11:09,151 BURNS ? 162 00:11:17,660 --> 00:11:20,162 SUBJECT: DAVID ALLEN BREWSTER, 163 00:11:20,162 --> 00:11:22,164 BORN BROOKLYN, 1911. 164 00:11:22,164 --> 00:11:25,668 SUBJECT EDUCATED PUBLIC SCHOOLS. ONE YEAR CASE WESTERN UNIVERSITY. 165 00:11:25,668 --> 00:11:27,670 FLUNKS OUT. 166 00:11:27,670 --> 00:11:32,174 1931, RETAIL APPLIANCE SALESMAN IN BARNHOFF'S DEPARTMENT STORE, CINCINNATI. 167 00:11:32,174 --> 00:11:35,678 1933, MEETS ANN NIRDLINGER. THEY MARRY THAT YEAR. 168 00:11:36,178 --> 00:11:38,180 1935, ARRESTED ON ASSAULT COMPLAINT. 169 00:11:38,180 --> 00:11:40,683 COMPLAINANT HAS A BROKEN NOSE, COUPLE OF BROKEN RIBS. 170 00:11:41,183 --> 00:11:43,686 '36, ANOTHER ASSAULT BEEF AT A BAR ROOM ALTERCATION. 171 00:11:43,686 --> 00:11:47,690 YEAH, YEAH, YEAH. COUPLE OF FISTFIGHTS, RIGHT ? GO TO HIS SERVICE RECORD. 172 00:11:49,191 --> 00:11:52,695 INDUCTED MARCH 15, 1942. 173 00:11:52,695 --> 00:11:56,699 SERVED IN A CLERICAL CAPACITY IN THE U.S. NAVAL SHIPYARDS AT SAN DIEGO. 174 00:11:57,199 --> 00:11:59,702 ONE FISTFIGHT, BROKEN UP BY THE M.P.s. 175 00:11:59,702 --> 00:12:04,206 NO COURT-MARTIAL. HONORABLE DISCHARGE, MAY 8, 1945. 176 00:12:04,206 --> 00:12:07,710 SINCE THEN, HE'S BEEN CLEAN. THANK YOU, BURNS. GET LOST. 177 00:12:14,216 --> 00:12:17,219 [ Door Opens, Closes ] 178 00:12:17,219 --> 00:12:19,221 SO ? 179 00:12:19,221 --> 00:12:21,724 SO ? 180 00:12:21,724 --> 00:12:24,727 THIS COULD BE YOUR DOLLY'S TICKET OUT OF THE DEATH HOUSE. 181 00:12:24,727 --> 00:12:26,729 SO ! 182 00:12:26,729 --> 00:12:28,731 I DON'T GET IT. 183 00:12:28,731 --> 00:12:31,734 [ Disgusted Sigh ] LOOK, CHUMP. 184 00:12:31,734 --> 00:12:36,739 THIS IS A GUY, FROM WHAT I UNDERSTAND, TOLD EVERYBODY HE WAS A WAR HERO, RIGHT ? 185 00:12:36,739 --> 00:12:39,742 ISLAND-HOPPING, PRACTICALLY LIBERATED THE PACIFIC ALL BY HIMSELF, 186 00:12:39,742 --> 00:12:42,745 WITH A KNIFE IN ONE HAND, A GUN IN THE OTHER, 187 00:12:42,745 --> 00:12:45,748 AND 20 YARDS OF JAP GUTS BETWEEN HIS TEETH. 188 00:12:45,748 --> 00:12:48,751 AND NOW IT TURNS OUT THIS DOPE SPENT THE WAR SITTING ON HIS ASS... 189 00:12:48,751 --> 00:12:52,254 IN SOME BOAT YARD IN SAN DIEGO. 190 00:12:52,254 --> 00:12:54,256 YOU ASKED FOR BLACKMAIL. 191 00:12:54,256 --> 00:12:58,260 MR. HAIL-FELLOW-WELL-MET, ABOUT TO OPEN HIS OWN BUSINESS HERE, 192 00:12:58,260 --> 00:13:01,263 HAS BEEN LYING TO EVERYBODY IN THIS TOWN FOR THE LAST FOUR YEARS, 193 00:13:01,263 --> 00:13:04,266 PROBABLY INCLUDING HALF THE PEOPLE SITTING ON THAT JURY. 194 00:13:04,266 --> 00:13:06,769 WELL, IT FINALLY CAUGHT UP WITH HIM. 195 00:13:06,769 --> 00:13:11,273 SOMEBODY KNEW HIS DIRTY LITTLE SECRET, JUST LIKE YOUR WIFE SAYS. 196 00:13:11,273 --> 00:13:14,276 THEY CALLED, THEY DEMANDED MONEY. 197 00:13:16,278 --> 00:13:19,782 DID BIG DAVE SAY HE'D RECENTLY HEARD FROM AN OLD FRIEND ? 198 00:13:19,782 --> 00:13:23,786 DID BIG DAVE MENTION IT WAS SOMETHING ABOUT HIS WAR SERVICE ? 199 00:13:23,786 --> 00:13:26,789 I DON'T KNOW. I WASN'T THERE. 200 00:13:26,789 --> 00:13:29,792 YOU HAVE TO TELL US. 201 00:13:29,792 --> 00:13:32,795 MAYBE HE SPECIFIED, MAYBE HE DIDN'T. 202 00:13:32,795 --> 00:13:36,298 I'M NOT PUTTING WORDS IN YOUR MOUTH, NO. 203 00:13:36,298 --> 00:13:38,801 BUT THE POINT IS THAT THIS LIAR, 204 00:13:38,801 --> 00:13:40,803 THIS CYNICAL MANIPULATOR, 205 00:13:40,803 --> 00:13:43,806 TURNS TO YOU TO HELP HIM OUT OF HIS JAM. 206 00:13:43,806 --> 00:13:45,808 FAT-ASSED SON OF A BITCH. 207 00:13:47,309 --> 00:13:50,312 SO WHO-- WHO ACTUALLY-- 208 00:13:50,312 --> 00:13:52,815 WHO ? WHO ? 209 00:13:52,815 --> 00:13:54,817 I DON'T KNOW WHO. 210 00:13:54,817 --> 00:13:57,820 BUT THE POINT IS THAT IF MR. PROSECUTOR OVER THERE... 211 00:13:58,320 --> 00:14:01,824 HAD DEVOTED HALF THE TIME HE'S SPENT PERSECUTING THIS WOMAN... 212 00:14:01,824 --> 00:14:06,328 TO EVEN THE MOST CURSORY INVESTIGATION OF THIS SCHMO'S PAST, 213 00:14:06,328 --> 00:14:08,330 THEN WE MIGHT KNOW WHO. 214 00:14:08,330 --> 00:14:12,835 BUT WE CAN'T KNOW WHO. WE CAN'T KNOW WHAT REALLY HAPPENED. 215 00:14:13,335 --> 00:14:16,338 [ Rhythmically ] BECAUSE THE MORE YOU LOOK, THE LESS YOU KNOW. 216 00:14:18,340 --> 00:14:20,843 BUT THE BEAUTY OF IT IS... 217 00:14:21,343 --> 00:14:24,346 WE DON'T GOTTA KNOW. 218 00:14:24,346 --> 00:14:28,851 WE JUST GOTTA SHOW THAT, GOD DAMN IT, THEY DON'T KNOW. 219 00:14:28,851 --> 00:14:33,856 BECAUSE OF FRITZ, OR WERNER, WHATEVER THE HELL HIS NAME IS. 220 00:14:35,357 --> 00:14:37,359 [ Chuckles ] 221 00:14:37,359 --> 00:14:40,362 FREDDY RIEDENSCHNEIDER SEES DAYLIGHT. 222 00:14:40,362 --> 00:14:42,865 WE GOT A REAL SHOT AT THIS, FOLKS. LET'S NOT GET COCKY. 223 00:14:42,865 --> 00:14:44,867 COMIN' OUT ! 224 00:14:44,867 --> 00:14:48,370 [ Door Slams ] 225 00:14:51,874 --> 00:14:53,876 [ Inhales ] 226 00:14:53,876 --> 00:14:56,879 [ Muffled Laughing ] 227 00:14:58,380 --> 00:15:01,383 [ Laughing Continues ] BIG DAVE. 228 00:15:02,885 --> 00:15:04,887 [ Shaky Gasp ] 229 00:15:06,889 --> 00:15:08,891 WHAT A DOPE. 230 00:15:16,398 --> 00:15:19,401 [ Ed ] SO MAYBE RIEDENSCHNEIDER COULD FIX IT FOR DORIS. 231 00:15:19,401 --> 00:15:21,904 MAYBE IT WOULD ALL WORK OUT. 232 00:15:21,904 --> 00:15:23,906 AND I THOUGHT, 233 00:15:25,407 --> 00:15:27,409 I HOPED, 234 00:15:27,910 --> 00:15:30,913 THAT MAYBE THERE WAS A WAY OUT FOR ME AS WELL. 235 00:15:30,913 --> 00:15:34,917 HE WAS DEAF WHEN HE WROTE THIS. 236 00:15:34,917 --> 00:15:37,419 [ Ed ] WHO ? 237 00:15:37,419 --> 00:15:39,421 BEETHOVEN. 238 00:15:40,923 --> 00:15:44,426 HE CREATED IT, BUT HE NEVER ACTUALLY HEARD IT. 239 00:15:44,426 --> 00:15:47,930 I GUESS HE JUST HEARD IT ALL IN HIS HEAD SOMEHOW. 240 00:15:47,930 --> 00:15:52,434 241 00:15:52,434 --> 00:15:54,937 242 00:15:55,437 --> 00:15:58,440 [ Ed ] THE GIRL HAD TALENT. ANYONE COULD SEE THAT. 243 00:15:58,440 --> 00:16:00,943 AND SHE WASN'T SOME FLY-BY-NIGHTER. 244 00:16:00,943 --> 00:16:03,445 SHE WAS JUST A GOOD, CLEAN KID. 245 00:16:03,946 --> 00:16:06,448 IF SHE WAS GOING TO HAVE A CAREER, SHE'D NEED A RESPONSIBLE ADULT... 246 00:16:06,448 --> 00:16:08,450 LOOKING OUT FOR HER, 247 00:16:08,450 --> 00:16:11,954 SOME KIND OF MANAGER. 248 00:16:11,954 --> 00:16:15,457 SHE'D HAVE CONTRACTS TO LOOK AT, BE GOING OUT ON TOURS, 249 00:16:15,457 --> 00:16:17,960 PLAYING ON THE RADIO, MAYBE. 250 00:16:17,960 --> 00:16:21,964 I COULD HELP HER SORT THROUGH ALL THAT WITHOUT CHARGING HER AN ARM AND A LEG. 251 00:16:21,964 --> 00:16:24,466 JUST ENOUGH TO GET BY. 252 00:16:27,469 --> 00:16:29,972 THEN I COULD BE WITH HER, 253 00:16:29,972 --> 00:16:32,474 ENOUGH TO KEEP MYSELF FEELING OKAY. 254 00:16:34,977 --> 00:16:36,979 WHY COULDN'T THAT WORK ? 255 00:16:37,479 --> 00:16:38,981 WHY NOT ? 256 00:16:39,481 --> 00:16:41,984 [ Laughing ] 257 00:16:45,487 --> 00:16:47,489 HI, MR. CRANE. HELLO, BIRDY. 258 00:16:50,993 --> 00:16:52,995 I THOUGHT THAT WAS REAL GOOD. 259 00:16:52,995 --> 00:16:56,498 YEAH, I MESSED UP A LITTLE BIT ON THE, UM, ON THE AGITATO, 260 00:16:56,498 --> 00:17:00,002 BUT IF NOBODY NOTICED, THEN IT'S OKAY. 261 00:17:03,505 --> 00:17:06,008 OH, THIS IS, UM, A FRIEND OF MINE. 262 00:17:06,008 --> 00:17:09,011 TONY, UM, MR. CRANE. 263 00:17:10,512 --> 00:17:14,516 - HELLO, TONY. - HELLO, SIR. 264 00:17:26,028 --> 00:17:30,032 [ Clears Throat ] WELL, UH, 265 00:17:30,032 --> 00:17:32,034 CONGRATULATIONS. 266 00:17:35,537 --> 00:17:39,041 THINK I'LL BE GETTING HOME NOW. 267 00:17:39,041 --> 00:17:43,045 IT WAS... NICE TO MEET YOU, SIR. 268 00:17:43,045 --> 00:17:45,047 YOU TOO, TONY. 269 00:17:49,051 --> 00:17:51,553 [ Ed ] WHY COULDN'T IT WORK ? 270 00:17:51,553 --> 00:17:55,057 ANYWAY, THAT'S WHAT I WAS THINKING IN THE DAYS LEADING UP TO THE TRIAL. 271 00:17:55,057 --> 00:17:59,061 IT SEEMED LIKE ONCE THAT WAS OVER, I'D BE READY FOR A NEW START. 272 00:17:59,061 --> 00:18:01,563 FREDDY RIEDENSCHNEIDER WAS BUSY PREPARING. 273 00:18:01,563 --> 00:18:04,066 HE WAS VERY OPTIMISTIC. 274 00:18:04,066 --> 00:18:08,070 AND FINALLY IT CAME-- THE FIRST DAY OF THE TRIAL, 275 00:18:08,070 --> 00:18:12,574 WHAT RIEDENSCHNEIDER CALLED "THE BIG SHOW." 276 00:18:23,585 --> 00:18:28,090 WHERE'S THE JUDGE ? HOW COME THERE'S NO JUDGE ? 277 00:18:28,090 --> 00:18:30,592 WHERE'S THE JUDGE, ED ? 278 00:18:30,592 --> 00:18:32,594 [ Clears Throat ] RIEDENSCHNEIDER. 279 00:18:32,594 --> 00:18:35,597 HOW COME THE JUDGE DOESN'T COME OUT ? 280 00:18:35,597 --> 00:18:40,102 THE JUDGE COMES IN LAST. HE'LL COME IN WHEN DORIS GETS HERE. 281 00:18:40,602 --> 00:18:44,106 SO WHERE'S DORIS ? I THOUGHT WE STARTED AT 10:00. 282 00:18:44,106 --> 00:18:47,109 HEY, RIEDENSCHNEIDER. WHERE'S DORIS ? 283 00:18:47,109 --> 00:18:49,111 SHE'S LATE. 284 00:18:49,111 --> 00:18:52,614 LATE ? HOW CAN SHE BE LATE ? 285 00:18:53,115 --> 00:18:56,118 SHE'S IN PRISON, ED. NONE OF US ARE IN PRISON. 286 00:18:56,118 --> 00:19:00,122 AND YET WE'RE NOT LATE. WE'RE ON TIME, ED. 287 00:19:00,122 --> 00:19:02,124 HOW CAN DORIS BE LATE ? 288 00:19:02,124 --> 00:19:05,627 WHAT, THEY DON'T HAVE WAKE-UP CALLS ? [ Door Opens ] 289 00:19:09,631 --> 00:19:11,633 ALL RISE. NO, NO. 290 00:19:11,633 --> 00:19:13,635 [ Judge ] COUNSELORS. 291 00:19:20,142 --> 00:19:23,145 [ Footsteps ] 292 00:19:27,649 --> 00:19:29,651 WHAT'S GOING ON, ED ? 293 00:19:29,651 --> 00:19:32,654 I THOUGHT THERE WOULD BE ARGUMENTS, 294 00:19:32,654 --> 00:19:34,656 THE BAILIFF AND SO FORTH. 295 00:19:34,656 --> 00:19:39,161 [ Quiet Murmuring ] 296 00:19:39,161 --> 00:19:41,663 ED, WHAT IS THIS ? 297 00:19:41,663 --> 00:19:44,166 IS THIS PROCEDURE ? 298 00:20:00,682 --> 00:20:05,687 IN THE MATTER OF THE PEOPLE V. DORIS CRANE, CASE NUMBER SR-87249, 299 00:20:05,687 --> 00:20:08,190 CAUSE NOW PENDING IS HEREBY DISMISSED... 300 00:20:08,190 --> 00:20:13,695 PURSUANT TO CALIFORNIA PENAL CODE SECTION 1385. I DON'T UNDERSTAND IT. 301 00:20:14,196 --> 00:20:17,199 HAD A REAL SHOT AT THIS. I COULD'VE WON THIS THING. 302 00:20:17,199 --> 00:20:19,701 LADIES AND GENTLEMEN OF THE JURY, DOESN'T MAKE ANY SENSE. 303 00:20:20,202 --> 00:20:22,204 YOUR SERVICE IS NO LONGER NEEDED... 304 00:20:22,204 --> 00:20:25,207 AND YOU ARE NOW DISCHARGED. 305 00:20:25,207 --> 00:20:28,210 [ Ed ] SHE'D HANGED HERSELF. 306 00:20:30,212 --> 00:20:34,716 I'D BROUGHT HER A DRESS TO WEAR TO COURT, AND SHE'D USED THE BELT. 307 00:20:34,716 --> 00:20:38,220 AT FIRST I THOUGHT SHE'D FIGURED OUT SOMEHOW HOW I FIT INTO IT... 308 00:20:38,220 --> 00:20:41,723 AND COULDN'T STAND IT, COULDN'T STAND KNOWING. [ Sobbing ] 309 00:20:41,723 --> 00:20:44,226 BUT THAT WASN'T IT, I'D FIND OUT LATER. 310 00:20:47,229 --> 00:20:51,233 FOR NOW, EVERYTHING JUST SEEMED RUINED. 311 00:20:52,734 --> 00:20:55,737 CHECKING OUT. FREDDY RIEDENSCHNEIDER WENT BACK TO SACRAMENTO, 312 00:20:55,737 --> 00:20:57,739 STILL SHAKING HIS HEAD, 313 00:20:57,739 --> 00:21:00,742 SAYING IT WAS THE BIGGEST DISAPPOINTMENT OF HIS PROFESSIONAL CAREER. 314 00:21:00,742 --> 00:21:03,245 FRANKIE FELL TO PIECES. 315 00:21:03,245 --> 00:21:05,247 I SUSPECT HE WAS DRINKING. 316 00:21:05,747 --> 00:21:09,251 ANYWAY, HE STOPPED COMING IN TO WORK. 317 00:21:09,251 --> 00:21:13,255 THAT LEFT ME TO KEEP THE PLACE GOING, OR THE BANK WOULD'VE TAKEN IT. 318 00:21:13,255 --> 00:21:15,757 HAVE TO GET HIM OFF THE ROAD, RIGHT ? HE KEEPS SNAPPING. 319 00:21:15,757 --> 00:21:18,260 I WAS THE PRINCIPAL BARBER NOW. TALK ABOUT UNGRATEFUL. 320 00:21:18,260 --> 00:21:21,763 I HIRED A NEW MAN FOR THE SECOND CHAIR. RUNS RIGHT OVER THE TURTLE. 321 00:21:21,763 --> 00:21:25,267 I'D HIRED THE GUY WHO DID THE LEAST GABBING WHEN HE CAME IN FOR AN INTERVIEW, 322 00:21:25,267 --> 00:21:28,770 BUT I GUESS THE NEW MAN HAD ONLY KEPT QUIET BECAUSE HE WAS NERVOUS. 323 00:21:28,770 --> 00:21:32,274 ONCE HE HAD THE JOB, HE TALKED FROM THE MINUTE I OPENED THE SHOP IN THE MORNING... 324 00:21:32,274 --> 00:21:35,277 UNTIL I LOCKED UP AT NIGHT. HE TIED A PIECE OF CORN ON A STRING, RIGHT ? 325 00:21:35,277 --> 00:21:37,779 HE WOULD WAIT FOR THE CHICKEN TO EAT IT. 326 00:21:37,779 --> 00:21:40,782 FOR ALL I KNOW, HE TALKED TO HIMSELF ON THE WAY HOME. 327 00:21:40,782 --> 00:21:43,785 [ Voice Echoes, Fades ] ...THE CHICKEN-- 328 00:21:43,785 --> 00:21:47,789 [ Ed ] WHEN I WALKED HOME, IT SEEMED LIKE EVERYONE AVOIDED LOOKING AT ME, 329 00:21:47,789 --> 00:21:50,792 AS IF I'D CAUGHT SOME DISEASE. 330 00:21:50,792 --> 00:21:54,796 THIS THING WITH DORIS, NOBODY WANTED TO TALK ABOUT IT. 331 00:21:57,299 --> 00:22:00,802 IT WAS LIKE I WAS A GHOST WALKING DOWN THE STREET. 332 00:22:02,304 --> 00:22:04,806 AND WHEN I GOT HOME NOW, 333 00:22:07,809 --> 00:22:10,312 THE PLACE FELT EMPTY. 334 00:22:10,312 --> 00:22:12,314 [ Door Closes ] 335 00:22:17,319 --> 00:22:19,821 I SAT IN THE HOUSE, 336 00:22:22,324 --> 00:22:24,826 BUT THERE WAS NOBODY THERE. 337 00:22:31,333 --> 00:22:32,834 IWASA GHOST. 338 00:22:34,336 --> 00:22:36,338 I DIDN'T SEE ANYONE. 339 00:22:36,338 --> 00:22:38,340 NO ONE SAW ME. 340 00:22:43,845 --> 00:22:45,847 I WAS THE BARBER. 341 00:22:51,853 --> 00:22:55,357 I HAD A COUPLE OF EGGS OVER HARD 'CAUSE I DON'T LIKE IT WHEN THEY RUN ALL OVER THE PLATE, 342 00:22:55,357 --> 00:22:57,359 SOME BACON AND POTATOES, WHICH ARE SUPPOSED TO COME WITH IT. 343 00:22:57,359 --> 00:23:00,862 SO I PAY FOR IT, AND I PUT THE CHANGE IN MY POCKET WITHOUT REALLY LOOKING... 344 00:23:01,363 --> 00:23:03,865 'CAUSE, GOSH, WHO LOOKS AT THE CHANGE WHEN YOU EAT THERE EVERY DAY ? 345 00:23:03,865 --> 00:23:06,868 TWO BLOCKS LATER I LOOK AT THE CHANGE SHE GAVE ME. GOLLY, I'M TWO BITS SHORT. 346 00:23:06,868 --> 00:23:10,872 [ Customer ] TWO BITS SHORT. SO I WALK BACK OVER TO LINTON'S, FIND THIS GAL, BIG ARGUMENT. 347 00:23:10,872 --> 00:23:13,375 SHE DOESN'T EVEN RECALL THE TRANSACTION. NO RECOLLECTION. 348 00:23:13,375 --> 00:23:15,877 DOESN'T RECALL THE TRANSACTION. NO RECOLLECTIONS. 349 00:23:15,877 --> 00:23:17,879 SO I SAID, "LOOK, DEAR. GO AHEAD. LOOK AT THE MENU." 350 00:23:17,879 --> 00:23:21,383 IF YOU'RE IN BEFORE 6:00, IT'S THE WHATCHAMACALLIT-- 351 00:23:21,383 --> 00:23:24,386 THE, UH-- THE, UH-- OH, UM, THE, UH-- 352 00:23:24,386 --> 00:23:26,388 THE EARLY BIRD SPECIAL. 353 00:23:26,388 --> 00:23:28,390 YEAH, THE EARLY RISER. [ Bell Jingling ] 354 00:23:31,893 --> 00:23:33,895 CRANE ? 355 00:23:33,895 --> 00:23:36,898 I'M CRANE. 356 00:23:36,898 --> 00:23:39,901 MY NAME'S DIEDRICKSON, COUNTY MEDICAL EXAMINER. 357 00:23:40,902 --> 00:23:42,904 YEAH ? 358 00:23:44,906 --> 00:23:47,909 I JUST CAME BY FOR AN INFORMAL CHAT. 359 00:23:53,915 --> 00:23:56,418 WHY DON'T I BUY YOU A DRINK ? 360 00:23:59,421 --> 00:24:01,923 RYE. 361 00:24:01,923 --> 00:24:03,925 JUST COFFEE. 362 00:24:03,925 --> 00:24:06,928 YOU SURE YOU DON'T WANT SOMETHING STIFFER ? 363 00:24:06,928 --> 00:24:08,930 COFFEE IT IS. 364 00:24:11,933 --> 00:24:14,936 [ Sighs ] 365 00:24:14,936 --> 00:24:19,441 COUNTY M.E. DOES AN AUTOPSY ON ANYONE WHO DIES IN CUSTODY. 366 00:24:19,941 --> 00:24:21,943 I DON'T KNOW IF YOU KNEW THAT. 367 00:24:21,943 --> 00:24:24,946 IT'S ROUTINE. 368 00:24:24,946 --> 00:24:29,451 DOESN'T BECOME A MATTER OF PUBLIC RECORD UNLESS THERE'S BEEN FOUL PLAY. 369 00:24:29,451 --> 00:24:31,453 HOWEVER, 370 00:24:31,453 --> 00:24:34,456 I DON'T THINK I'M PROHIBITED FROM TELLING YOU THIS. 371 00:24:34,456 --> 00:24:37,459 OF COURSE, I'M NOT OBLIGED TO EITHER. 372 00:24:37,459 --> 00:24:40,462 I JUST DON'T KNOW. 373 00:24:40,462 --> 00:24:42,964 BUT IF I WERE THE MAN, 374 00:24:43,465 --> 00:24:45,967 I'D WANT TO BE TOLD. 375 00:24:46,468 --> 00:24:47,969 TOLD WHAT ? 376 00:24:55,477 --> 00:24:58,980 I'M NOT HERE TO ADD TO YOUR-- 377 00:24:58,980 --> 00:25:00,982 THANKS. 378 00:25:10,492 --> 00:25:12,494 [ Sighs ] 379 00:25:12,494 --> 00:25:14,496 YOUR WIFE WAS PREGNANT. 380 00:25:15,997 --> 00:25:17,999 FIRST TRIMESTER. 381 00:25:22,504 --> 00:25:25,006 THERE IT IS. 382 00:25:25,006 --> 00:25:27,008 I'M SORRY. 383 00:25:29,511 --> 00:25:32,514 [ Sighs ] HELL, I HOPE I'VE DONE THE RIGHT THING. 384 00:25:37,018 --> 00:25:41,523 MY WIFE AND I HAD NOT PERFORMED THE SEX ACT IN MANY YEARS. 385 00:25:57,038 --> 00:25:59,040 [ Sighs ] WELL, 386 00:26:02,043 --> 00:26:04,546 THAT'S REALLY NONE OF MY BUSINESS. 387 00:26:09,050 --> 00:26:11,052 I'M SORRY. 388 00:26:13,054 --> 00:26:15,056 THERE IT IS. 389 00:26:17,559 --> 00:26:20,061 GOOD LUCK, CRANE. 390 00:26:35,577 --> 00:26:40,081 [ Ed ] DORIS AND I HAD NEVER REALLY TALKED MUCH. 391 00:26:40,081 --> 00:26:43,084 I DON'T THINK THAT'S A BAD THING NECESSARILY. 392 00:26:43,084 --> 00:26:47,088 [ Woman Moaning ] BUT IT WAS FUNNY. NOW I WANTED TO TALK. 393 00:26:47,088 --> 00:26:50,091 NOW, WITH EVERYONE GONE, 394 00:26:50,091 --> 00:26:53,595 I WAS ALONE WITH SECRETS I DIDN'T WANT... 395 00:26:53,595 --> 00:26:57,599 AND NO ONE TO TELL 'EM TO ANYWAY. [ Moaning Continues ] 396 00:26:57,599 --> 00:27:00,602 I WENT TO SEE A WOMAN WHO WAS SUPPOSED TO HAVE POWERS IN COMMUNICATING... 397 00:27:01,102 --> 00:27:04,105 WITH THOSE WHO HAD "PASSED ACROSS," AS SHE CALLED IT. 398 00:27:04,105 --> 00:27:08,109 SHE SAID THAT PEOPLE WHO HAD PASSED ACROSS WERE PICKY ABOUT WHO THEY'D COMMUNICATE WITH. 399 00:27:08,610 --> 00:27:11,112 NOT LIKE MOST PEOPLE YOU RUN INTO ON THIS SIDE. [ Moaning ] 400 00:27:11,613 --> 00:27:16,117 SO YOU NEEDED A GUIDE, SOMEONE WITH A GIFT FOR TALKING TO SOULS. 401 00:27:17,118 --> 00:27:19,621 GIVE ME YOUR HAND. 402 00:27:21,623 --> 00:27:26,628 MMM. WELL, FIRST SHE TOLD ME THAT MY WIFE WAS IN A PEACEFUL PLACE, 403 00:27:26,628 --> 00:27:28,630 THAT OUR SOULS WERE STILL CONNECTED, 404 00:27:28,630 --> 00:27:31,132 THAT SHE'D NEVER STOPPED LOVING ME... 405 00:27:31,132 --> 00:27:34,636 EVEN THOUGH SHE'D DONE SOME THINGS SHE WASN'T PROUD OF. 406 00:27:36,137 --> 00:27:38,139 MAN, SHE WAS READING ME LIKE A BOOK. 407 00:27:40,141 --> 00:27:43,645 SHE WAS A PHONY, JUST ANOTHER GABBER. 408 00:27:44,145 --> 00:27:47,148 I WAS TURNING INTO ANN NIRDLINGER, 409 00:27:47,148 --> 00:27:49,651 BIG DAVE'S WIFE. 410 00:27:49,651 --> 00:27:52,654 I HAD TO TURN MY BACK ON THE OLD LADY, 411 00:27:52,654 --> 00:27:56,157 ON THE VEILS, ON THE GHOSTS, 412 00:27:56,658 --> 00:27:58,660 ON THE DEAD, 413 00:27:58,660 --> 00:28:01,162 BEFORE THEY ALL SUCKED ME IN. 414 00:28:01,663 --> 00:28:03,414 [ Footsteps Receding ] 415 00:28:03,414 --> 00:28:07,785 JURY MIGHT LIKE THAT. 416 00:28:07,785 --> 00:28:11,789 417 00:28:12,790 --> 00:28:16,794 ED ? HOW ARE YOU HOLDING UP ? 418 00:28:16,794 --> 00:28:18,796 OKAY, WALTER. THANKS. 419 00:28:18,796 --> 00:28:22,800 I, UH-- I WAS SO DAMN SORRY TO HEAR ABOUT YOUR LOSS. 420 00:28:22,800 --> 00:28:25,803 A TERRIBLE THING. IT'S JUST DAMN TERRIBLE. 421 00:28:27,305 --> 00:28:30,308 UH, BIRDY'S UPSTAIRS. I'M ON LONG-DISTANCE, SO-- 422 00:28:30,308 --> 00:28:32,310 SURE, WALTER. 423 00:28:36,314 --> 00:28:39,817 OKAY. NO. 424 00:28:42,820 --> 00:28:45,823 HELLO, BIRDY. 425 00:28:45,823 --> 00:28:47,825 HI, MR. CRANE. 426 00:28:49,327 --> 00:28:52,330 WE HAVEN'T SEEN YOU SINCE-- 427 00:28:53,831 --> 00:28:56,834 WE'VE CERTAINLY MISSED YOU. 428 00:28:58,836 --> 00:29:01,839 BIRDY, I'VE BEEN DOING A LOT OF THINKING. 429 00:29:03,841 --> 00:29:08,346 THERE ARE A LOT OF THINGS THAT HAVEN'T WORKED OUT FOR ME. 430 00:29:08,346 --> 00:29:13,351 LIFE HAS DEALT ME SOME BUM CARDS. OR MAYBE I JUST HAVEN'T PLAYED THEM RIGHT. 431 00:29:13,851 --> 00:29:16,854 POP DOESN'T LIKE PEOPLE SMOKING IN HERE. 432 00:29:21,859 --> 00:29:23,861 I'M SORRY. 433 00:29:23,861 --> 00:29:27,865 WELL, SOMETIMES I HAVE A CIGARETTE WHEN HE'S AWAY, BUT NEVER WHEN HE'S HOME. 434 00:29:27,865 --> 00:29:30,368 HE CAN SMELL IT A MILE OFF. 435 00:29:30,868 --> 00:29:33,371 WELL, SURE. IT'S HIS HOUSE. 436 00:29:33,371 --> 00:29:36,374 THAT'S WHAT HE KEEPS TELLING ME. 437 00:29:37,375 --> 00:29:39,877 ANYWAY, MY POINT IS YOU'RE YOUNG, 438 00:29:40,378 --> 00:29:41,879 A KID, REALLY, 439 00:29:42,380 --> 00:29:44,882 YOUR WHOLE LIFE AHEAD OF YOU. 440 00:29:44,882 --> 00:29:49,387 BUT IT'S NOT TOO SOON TO START MAKING OPPORTUNITIES FOR YOURSELF... 441 00:29:49,387 --> 00:29:53,391 BEFORE IT ALL WASHES AWAY. 442 00:29:54,892 --> 00:29:58,396 YEAH, I GUESS. POP SAYS SO TOO. 443 00:29:58,896 --> 00:30:01,399 YOU KNOW, I WORK PRETTY HARD AT SCHOOL. 444 00:30:01,399 --> 00:30:03,401 THAT'S SWELL. 445 00:30:03,901 --> 00:30:07,405 HOWEVER, THE MUSIC, IF YOU WANT TO PURSUE IT-- 446 00:30:07,905 --> 00:30:12,410 THE LESSONS FROM MRS. SWAN, THEY'LL ONLY TAKE YOU SO FAR. 447 00:30:12,910 --> 00:30:15,913 THERE'S THIS GUY IN SAN FRANCISCO. 448 00:30:15,913 --> 00:30:19,417 I'VE MADE INQUIRIES. 449 00:30:19,417 --> 00:30:22,420 EVERYBODY SAYS HE'S THE BEST. 450 00:30:22,420 --> 00:30:26,924 TRAINED PEOPLE WHO'VE GONE ON TO BIG CONCERT CAREERS IN SYMPHONY ORCHESTRAS, THE WORKS. 451 00:30:26,924 --> 00:30:29,427 HIS NAME IS JACQUES... 452 00:30:29,927 --> 00:30:31,429 CARCANOGUES. 453 00:30:31,929 --> 00:30:34,432 I'M NOT SURE I'M PRONOUNCING IT RIGHT. ANYWAY, HE'S A FRENCHMAN. 454 00:30:34,932 --> 00:30:37,435 OH, BOY. A FRENCHMAN, HUH ? YOU'VE GOT TALENT. 455 00:30:38,436 --> 00:30:41,939 ANYBODY CAN SEE THAT. AND HE'S THE BEST. 456 00:30:41,939 --> 00:30:45,943 IF HE SEES A STUDENT THAT HE THINKS HAS TALENT, HE TAKES THEM ON FOR NEXT TO NOTHING. 457 00:30:45,943 --> 00:30:47,945 SO YOU'RE A CINCH TO BE ACCEPTED. 458 00:30:47,945 --> 00:30:51,949 I COULD COVER THE COSTS OF THE LESSONS. LIKE I SAID, IT'S PRETTY MODEST. 459 00:30:51,949 --> 00:30:55,453 - OH, JEEZ, MR. CRANE. - NO, I HAVE TO DO IT. 460 00:30:55,453 --> 00:30:58,456 I CAN'T STAND BY AND WATCH ANY MORE THINGS GO DOWN THE DRAIN. 461 00:30:58,956 --> 00:31:00,958 YOU'RE YOUNG. YOU DON'T UNDERSTAND. 462 00:31:00,958 --> 00:31:05,463 WELL, JEEZ, MR. CRANE. I HADN'T REALLY THOUGHT ABOUT A CAREER OR STUFF. 463 00:31:06,964 --> 00:31:09,467 WELL, I KNOW YOU HAVEN'T. 464 00:31:10,968 --> 00:31:14,972 LOOK, JUST GO SEE HIM AS A FAVOR TO ME. 465 00:31:14,972 --> 00:31:16,974 I TALKED TO THIS GUY. 466 00:31:16,974 --> 00:31:20,478 HE LOOSENED UP A LITTLE BIT WHEN I TOLD HIM HOW TALENTED YOU WERE. 467 00:31:20,478 --> 00:31:23,481 HE'S AGREED TO SEE YOU THIS SATURDAY. 468 00:31:23,481 --> 00:31:27,985 HE SAID, UH, MAYBE YOU'RE A DIAMOND IN THE ROUGH. 469 00:31:28,486 --> 00:31:29,987 HIS WORDS. 470 00:31:30,488 --> 00:31:32,990 JEEZ, I DON'T KNOW, MR. CRANE. 471 00:31:34,492 --> 00:31:37,495 JUST GO SEE HIM AS A FAVOR TO ME. 472 00:31:41,499 --> 00:31:44,001 473 00:31:44,502 --> 00:31:48,506 474 00:31:48,506 --> 00:31:51,008 [ Woman Talking In Distance, Indistinct ] 475 00:31:58,516 --> 00:32:01,018 [ French Accent ] YOU ARE THE FATHER ? 476 00:32:01,519 --> 00:32:04,522 NO, I'M HER-- I'M A FAMILY FRIEND. 477 00:32:04,522 --> 00:32:08,526 I AM CARCANOGUES. YOU WILL WAIT, MY DEAR. 478 00:32:10,528 --> 00:32:13,030 479 00:32:16,033 --> 00:32:18,035 [ Water Running ] 480 00:32:18,035 --> 00:32:20,538 I SPEAK WITH YOU ON THE PHONE, NO ? 481 00:32:20,538 --> 00:32:23,541 YOU HAVE A SPECIAL INTEREST IN MUSIC ? 482 00:32:24,542 --> 00:32:26,544 UH-HUH. 483 00:32:28,546 --> 00:32:31,048 AH. 484 00:32:31,549 --> 00:32:34,051 A MUSIC LOVER, SO. 485 00:32:34,552 --> 00:32:37,555 UM, I DON'T PRETEND TO BE AN EXPERT. 486 00:32:37,555 --> 00:32:39,557 AH. 487 00:32:45,563 --> 00:32:48,065 AHA. 488 00:32:50,067 --> 00:32:53,571 - HOW DID SHE DO ? - SHE SEEMED LIKE A VERY NICE GIRL. 489 00:32:56,073 --> 00:32:59,577 SHE PLAY, MONSIEUR, 490 00:32:59,577 --> 00:33:02,580 LIKE A VERY NICE GIRL. 491 00:33:03,080 --> 00:33:04,582 STINKS. 492 00:33:05,082 --> 00:33:06,584 NICE GIRL, 493 00:33:06,584 --> 00:33:09,086 HOWEVER, STINKS. 494 00:33:09,086 --> 00:33:11,589 WELL, I DON'T UNDERSTAND. 495 00:33:11,589 --> 00:33:13,591 IS NOT SO HARD TO UNDERSTAND. 496 00:33:14,091 --> 00:33:17,094 HER PLAYING, UH, VERY POLITE. 497 00:33:17,094 --> 00:33:19,597 DID SHE MAKE MISTAKES ? 498 00:33:19,597 --> 00:33:22,099 MISTAKE ? NO. 499 00:33:22,099 --> 00:33:24,602 IT SAY "E-FLAT," SHE PLAY E-FLAT. 500 00:33:25,102 --> 00:33:28,105 PING, PING. SHE PLAY THE RIGHT NOTE ALWAYS. 501 00:33:28,105 --> 00:33:30,608 WELL, I DON'T UNDERSTAND. NO MISTAKES ? 502 00:33:30,608 --> 00:33:33,110 LOOK, SHE'S JUST A KID. I THOUGHT YOU TAUGHT THESE KIDS TO-- 503 00:33:33,611 --> 00:33:36,113 NO, NO, NO, MONSIEUR. THAT IS WHAT I CANNOT TEACH HER, HUH ? 504 00:33:36,113 --> 00:33:38,115 I CANNOT TEACH HER TO HAVE THE SOUL. 505 00:33:38,115 --> 00:33:42,620 HMM, SEE, SIR. LOOK. 506 00:33:42,620 --> 00:33:47,124 TO PLAY THE PIANO IS NOT ABOUT THE FINGERS. 507 00:33:47,124 --> 00:33:49,627 WE MAKE WITH THE FINGERS. 508 00:33:50,127 --> 00:33:53,130 509 00:33:53,130 --> 00:33:56,133 BUT THE MUSIC, MONSIEUR, 510 00:33:56,634 --> 00:34:00,638 SHE COME FROML'INTERIEUR, FROM INSIDE, HUH ? 511 00:34:02,139 --> 00:34:04,141 THE MUSIC, 512 00:34:04,141 --> 00:34:06,143 SHE STARTS HERE. 513 00:34:06,143 --> 00:34:09,146 SHE COME OUT THROUGH HERE. 514 00:34:09,146 --> 00:34:12,149 HMM ? THEN PERHAPS, 515 00:34:12,650 --> 00:34:14,151 PERHAPS, 516 00:34:14,652 --> 00:34:17,154 SHE CAN GO HERE. 517 00:34:21,158 --> 00:34:24,161 LIKE I SAID, I'M NOT AN EXPERT. 518 00:34:24,161 --> 00:34:29,166 SO YOU CAN LISTEN TO ME, FOR I AM EXPERT. 519 00:34:29,166 --> 00:34:32,670 VOYEZ, MONSIEUR. THIS GIRL, NICE GIRL. 520 00:34:33,170 --> 00:34:36,674 VERY CLEVER HANDS. NICE GIRL. 521 00:34:36,674 --> 00:34:39,677 I THINK, UH, PERHAPS SOME DAY... 522 00:34:41,178 --> 00:34:44,682 SHE CAN MAKE VERY GOOD TYPIST, HUH ? 523 00:34:45,182 --> 00:34:49,186 TAT, TAT, TAT, TAT, TAT, TAT, TAT. 524 00:34:49,186 --> 00:34:51,188 VOILA. 525 00:34:59,697 --> 00:35:02,199 I STANK, DIDN'T I ? HE DIDN'T SAY THAT. 526 00:35:02,700 --> 00:35:05,202 NO, BUT MORE OR LESS. 527 00:35:07,204 --> 00:35:10,708 I'M NO EXPERT, BUT THERE MUST BE A DOZEN TEACHERS BETTER THAN THIS CLOWN. 528 00:35:10,708 --> 00:35:13,210 NO, LOOK, REALLY-- MORE QUALIFIED. 529 00:35:13,210 --> 00:35:15,713 GODDAMN PHONY. 530 00:35:15,713 --> 00:35:17,715 REALLY, IT'S OKAY. 531 00:35:17,715 --> 00:35:22,219 I'M NOT INTERESTED IN PLAYING MUSIC PROFESSIONALLY. 532 00:35:22,219 --> 00:35:24,722 YOU KNOW, I'M NOT SURE I WANT A CAREER AT ALL, 533 00:35:24,722 --> 00:35:27,725 AND IF I DID, I'D PROBABLY BE A VETERINARIAN. 534 00:35:31,228 --> 00:35:34,231 - VETERINARIAN. - YEAH. 535 00:35:34,231 --> 00:35:37,234 BUT I-I DO APPRECIATE YOUR INTEREST. 536 00:35:38,736 --> 00:35:40,237 IT WAS NOTHING. 537 00:35:40,738 --> 00:35:45,242 I WISH I'D PLAYED BETTER FOR YOU 'CAUSE I KNOW IT WOULD'VE MADE YOU REAL HAPPY. 538 00:35:48,746 --> 00:35:50,748 YOU KNOW WHAT YOU ARE ? 539 00:35:51,749 --> 00:35:53,751 WHAT ? 540 00:35:53,751 --> 00:35:56,253 YOU'RE AN ENTHUSIAST. 541 00:35:59,256 --> 00:36:01,258 YEAH, MAYBE. 542 00:36:07,765 --> 00:36:12,269 YOU KNOW, I REALLY DO APPRECIATE THE INTEREST YOU'VE TAKEN. 543 00:36:18,275 --> 00:36:21,779 BIRDY. I JUST WANTED TO MAKE YOU HAPPY. 544 00:36:21,779 --> 00:36:24,782 BIRDY. NO, IT'S REALLY OKAY. I WANNA DO IT. 545 00:36:24,782 --> 00:36:26,784 - BIRDY ! - NO, IT'S OKAY, REALLY. 546 00:36:26,784 --> 00:36:29,787 NO ! NO ! NO ! MR. CRANE, I WANNA DO IT. MR. CRANE ! 547 00:36:29,787 --> 00:36:31,288 BIRDY, PLEASE DON'T DO THAT ! MR. CRANE, PLEASE ! 548 00:36:31,288 --> 00:36:34,291 - HEAVENS TO BETSY, BIRDY ! - PLEASE, MR. CRANE. 549 00:36:34,291 --> 00:36:38,796 - [ Horn Honking ] - [ Birdy Screaming ] 550 00:36:44,301 --> 00:36:47,304 [ Ed ] TIME SLOWS DOWN RIGHT BEFORE AN ACCIDENT, 551 00:36:47,805 --> 00:36:50,808 AND I HAD TIME TO THINK ABOUT THINGS. 552 00:36:52,810 --> 00:36:56,313 I THOUGHT ABOUT WHAT AN UNDERTAKER HAD TOLD ME ONCE-- 553 00:36:56,313 --> 00:37:00,317 THAT YOUR HAIR KEEPS GROWING, FOR A WHILE, ANYWAY, 554 00:37:00,317 --> 00:37:05,322 AFTER YOU DIE. [ Loud Crash ] 555 00:37:05,322 --> 00:37:07,825 AND THEN IT STOPS. 556 00:37:11,328 --> 00:37:14,832 I THOUGHT, "WHAT KEEPS IT GROWING ?" 557 00:37:16,834 --> 00:37:19,336 IS IT LIKE A PLANT IN SOIL ? 558 00:37:20,838 --> 00:37:22,840 WHAT GOES OUT OF THE SOIL ? 559 00:37:22,840 --> 00:37:24,842 THE SOUL ? 560 00:37:26,343 --> 00:37:29,346 AND WHEN DOES THE HAIR REALIZE THAT IT'S GONE ? 561 00:37:40,858 --> 00:37:43,360 [ Birds Chirping ] 562 00:37:43,360 --> 00:37:46,363 [ Children Chattering In Distance ] 563 00:37:46,363 --> 00:37:48,866 [ Ticking ] 564 00:37:53,370 --> 00:37:55,873 [ Child Shouting ] 565 00:37:59,376 --> 00:38:01,378 [ Child Giggling ] 566 00:38:08,385 --> 00:38:10,387 [ Giggling Continues ] 567 00:38:19,897 --> 00:38:22,399 HELLO ! 568 00:38:22,399 --> 00:38:25,903 I NOTICED YOU STILL HAVE PEA STONE IN YOUR DRIVEWAY. 569 00:38:26,403 --> 00:38:29,406 OF COURSE YOU HAVE TO REJUVENATE THAT EVERY COUPLE OF YEARS, DON'T YOU ? 570 00:38:29,406 --> 00:38:31,408 WHEN THE PEA STONE THINS OUT ? 571 00:38:31,408 --> 00:38:34,411 HA. WHERE DOES IT GO, HUH ? 572 00:38:34,411 --> 00:38:36,413 LIKE THE ODD SOCK. 573 00:38:36,413 --> 00:38:41,418 'COURSE, YOU KNOW WHERE IT GOES. YOU PROBABLY PICK PIECES OF IT OFF YOUR LAWN ALL THE TIME, 574 00:38:41,418 --> 00:38:45,422 CHURN IT UP WITH YOUR LAWN MOWER, SWEEP IT OFF YOUR PORCH THERE. 575 00:38:45,422 --> 00:38:48,926 - PAIN IN THE NECK. - NEVER BOTHERED ME. 576 00:38:49,426 --> 00:38:51,428 WELL, HAVE YOU EVER CONSIDERED TAR MACADAM ? 577 00:38:51,929 --> 00:38:54,431 PEOPLE THINK IT'S JUST FOR PUBLIC WORKS OR COMMERCIAL PURPOSES, 578 00:38:54,431 --> 00:38:57,434 BUT WE HAVE THE TECHNOLOGY NOW TO BRING IT TO THE HOMEOWNER, 579 00:38:57,935 --> 00:39:00,437 INDIVIDUAL CONSUMER, AT VERY COMPETITIVE PRICES. 580 00:39:00,437 --> 00:39:04,942 MIND IF I SHOW YOU THE SPECIFICATIONS ? AFTERNOON, MA'AM. 581 00:39:04,942 --> 00:39:06,944 WHAT ARE YOU SELLING ? 582 00:39:06,944 --> 00:39:08,946 [ Laughs ] 583 00:39:09,446 --> 00:39:12,449 MA'AM, I WAS JUST TELLING YOUR HUSBAND HERE ABOUT TAR MACADAM... 584 00:39:12,449 --> 00:39:14,451 FOR YOUR HOME DRIVEWAY HERE. 585 00:39:14,451 --> 00:39:18,455 HERE'S THE BROCHURE. IT'S THE MODERN WAY TO-- 586 00:39:18,455 --> 00:39:20,457 GET LOST. 587 00:39:35,472 --> 00:39:37,474 JESUS. 588 00:39:50,988 --> 00:39:55,492 [ Cork Pops, Liquid Pouring ] 589 00:39:55,492 --> 00:39:57,494 [ Bottle Clatters ] 590 00:40:31,028 --> 00:40:32,529 DORIS-- NO. 591 00:40:34,031 --> 00:40:37,534 DON'T SAY ANYTHING. I'M FINE. 592 00:40:38,535 --> 00:40:40,537 [ Child Laughing Outside ] 593 00:40:47,044 --> 00:40:49,046 [ Man's Voice, Faint ] MR. CRANE ? 594 00:40:49,046 --> 00:40:52,049 MR. CRANE ? 595 00:40:52,049 --> 00:40:54,051 MR. CRANE. 596 00:40:54,551 --> 00:40:56,053 MR. CRANE ? 597 00:40:58,055 --> 00:41:00,557 MR. CRANE. 598 00:41:00,557 --> 00:41:02,559 MR. CRANE ? 599 00:41:04,061 --> 00:41:06,563 ARE YOU THERE ? 600 00:41:06,563 --> 00:41:08,565 ARE YOU AWAKE ? 601 00:41:10,567 --> 00:41:13,570 HE'S COMIN' AROUND. 602 00:41:13,570 --> 00:41:16,573 CAN YOU TALK, SIR ? THESE MEN HAVE TO TALK TO YOU. 603 00:41:16,573 --> 00:41:19,576 ARE YOU AWAKE ? SIR ? 604 00:41:19,576 --> 00:41:21,578 HE'S-- HE'S AWAKE. GO AHEAD. 605 00:41:21,578 --> 00:41:24,581 [ Persky ] ARE YOU AWAKE ? IS HE AWAKE ? 606 00:41:25,082 --> 00:41:28,585 CRANE, AS SOON AS YOU'RE CONSCIOUS, WE HAVE TO TELL YOU THAT-- 607 00:41:28,585 --> 00:41:31,588 UH, IS HE CONSCIOUS ? HIS EYES ARE OPEN. 608 00:41:32,089 --> 00:41:33,590 UH, YOU'RE UNDER ARREST. 609 00:41:34,091 --> 00:41:36,593 [ Persky ] SOON AS THE DOCTOR LETS US, WE GOTTA MOVE YOU. 610 00:41:36,593 --> 00:41:39,596 DOES HE UNDERSTAND THAT ? WE'RE SUPPOSED TO TELL HIM. ARE YOU CONSCIOUS ? 611 00:41:39,596 --> 00:41:43,100 THEY'LL TAKE YOU TO THE PRISON HOSPITAL. UNDER ARREST FOR MURDER. 612 00:41:45,602 --> 00:41:48,605 - BIRDY. - WHAT ? 613 00:41:48,605 --> 00:41:50,607 WHAT'D HE SAY ? BIRDY. 614 00:41:50,607 --> 00:41:53,610 BIRDY. UH, THE GIRL. NO, THE GIRL'S OKAY. 615 00:41:54,111 --> 00:41:58,115 BROKEN CLAVICLE. THAT'S A COLLARBONE, CRANE. IT'S BROKEN. 616 00:41:58,115 --> 00:42:02,619 SHE'S OKAY, THOUGH. SO HE UNDERSTANDS, THEN, HE'S UNDER ARREST FOR MURDER ? 617 00:42:02,619 --> 00:42:04,621 [ Whispers ] BIG DAVE. 618 00:42:04,621 --> 00:42:08,125 HUH ? WHAT ? WHAT'D HE SAY ? 619 00:42:08,125 --> 00:42:11,628 [ Persky ] HE SAID OKAY. IS THAT WHAT HE SAID ? 620 00:42:13,630 --> 00:42:17,134 [ Loud ] YOU'RE UNDER ARREST FOR THE MURDER OF CREIGHTON TOLLIVER. 621 00:42:17,634 --> 00:42:21,138 YOU UNDERSTAND THAT ? DOES HE UNDERSTAND ? 622 00:42:23,140 --> 00:42:25,142 [ Ed ] THE PANSY. 623 00:42:27,144 --> 00:42:31,148 A KID DIVING IN A WATER HOLE OUTSIDE OF TOWN HAD FOUND HIS CAR. 624 00:42:31,148 --> 00:42:33,150 THEY WINCHED IT OUT... 625 00:42:33,150 --> 00:42:36,653 AND FOUND HE'D BEEN BEATEN, JUST LIKE BIG DAVE SAID. 626 00:42:38,655 --> 00:42:40,657 BEATEN TO DEATH. 627 00:42:42,659 --> 00:42:47,164 INSIDE HIS BRIEFCASE WERE THE PARTNERSHIP PAPERS I'D SIGNED, 628 00:42:47,164 --> 00:42:51,168 SHOWING THAT I'D GIVEN HIM TEN GRAND. 629 00:42:51,168 --> 00:42:55,172 FOR THE DISTRICT ATTORNEY, THAT MADE IT FALL INTO PLACE. 630 00:42:55,172 --> 00:42:57,674 I'D GOTTEN DORIS TO STEAL THE MONEY. 631 00:42:57,674 --> 00:43:01,678 THE PANSY HAD GOTTEN WISE SOMEHOW, SO I HAD TO KILL HIM TO COVER MY TRACKS. 632 00:43:01,678 --> 00:43:03,680 ON THE ARRAIGNMENT CALENDAR, 633 00:43:03,680 --> 00:43:06,183 PEOPLE V. EDWARD CRANE. 634 00:43:06,183 --> 00:43:09,186 I WAS IN A SPOT. YOU ARE CHARGED IN A ONE-COUNT COMPLAINT... 635 00:43:09,686 --> 00:43:12,189 THAT ALLEGES AS FOLLOWS-- I CALLED IN FREDDY RIEDENSCHNEIDER... 636 00:43:12,689 --> 00:43:15,192 AND SIGNED THE HOUSE OVER TO HIM. 637 00:43:15,192 --> 00:43:17,694 HE SAID HE DIDN'T ORDINARILY WORK THAT CHEAP, 638 00:43:17,694 --> 00:43:21,198 BUT HE FIGURED HE OWED ME SOMETHING SINCE THE LAST ONE HADN'T PLAYED OUT. 639 00:43:21,198 --> 00:43:24,201 HOW DO YOU NOW PLEAD ? WE PLEAD NOT GUILTY, YOUR HONOR. 640 00:43:24,201 --> 00:43:27,204 [ Ed ] I TRIED TO TELL HIM THE WHOLE STORY, BUT RIEDENSCHNEIDER STOPPED ME. 641 00:43:27,204 --> 00:43:29,206 HE SAID THE STORY MADE HIS HEAD HURT. 642 00:43:29,206 --> 00:43:33,210 HE DIDN'T SEE ANY WAY OF USING IT WITHOUT PUTTING ME ON THE HOT SEAT FOR THE MURDER OF BIG DAVE. 643 00:43:33,210 --> 00:43:36,213 TRIAL DATE IS SET FOR MONDAY A WEEK. 644 00:43:37,714 --> 00:43:40,217 HE TOLD ME NOT TO WORRY, THOUGH. 645 00:43:40,217 --> 00:43:43,720 SAID HE'D THINK OF SOMETHING. 646 00:43:43,720 --> 00:43:46,723 THEY PUT ME ON 24-HOUR DEATH WATCH, 647 00:43:46,723 --> 00:43:51,728 SO THAT I COULDN'T CHEAT JUSTICE LIKE THEY SAID MY WIFE HAD DONE. 648 00:43:51,728 --> 00:43:54,731 BUT IN FRONT OF THE JURY, THEY HAD IT THAT DORIS WAS A SAINT. 649 00:43:55,232 --> 00:43:58,235 THE WHOLE PLAN HAD BEEN MINE. 650 00:43:58,235 --> 00:44:02,739 I WAS A SVENGALI WHO HAD FORCED DORIS TO JOIN MY CRIMINAL ENTERPRISE. 651 00:44:03,240 --> 00:44:05,742 A TERRIBLE-- ON AND ON IT WENT, 652 00:44:05,742 --> 00:44:10,247 HOW I'D USED DORIS, THEN LET HER TAKE THE FALL. THAT MAN ! 653 00:44:10,247 --> 00:44:13,750 THAT STUFF SMARTED BECAUSE SOME OF IT WAS CLOSE TO BEING TRUE. 654 00:44:16,753 --> 00:44:19,256 AND THEN IT WAS RIEDENSCHNEIDER'S TURN. 655 00:44:27,264 --> 00:44:31,268 LADIES AND GENTLEMEN, MEMBERS OF THE JURY, CITIZENS OF SANTA ROSA, 656 00:44:31,268 --> 00:44:35,272 WE'VE JUST HEARD FROM THE DISTRICT ATTORNEY A RATHER LURID DESCRIPTION... 657 00:44:35,272 --> 00:44:37,274 OF A TRULY DESPICABLE MAN. 658 00:44:37,274 --> 00:44:40,777 I GOTTA HAND IT TO HIM. HE TOSSED A LOT OF SAND IN THEIR EYES. 659 00:44:41,278 --> 00:44:44,281 HE TALKED ABOUT HOW I'D LOST MY PLACE IN THE UNIVERSE, 660 00:44:44,781 --> 00:44:48,785 ...THE CHARACTER DRAWN... HOW I WAS TOO ORDINARY TO BE THE CRIMINAL MASTERMIND... 661 00:44:48,785 --> 00:44:50,787 THE D.A. MADE ME OUT TO BE, 662 00:44:50,787 --> 00:44:54,291 HOW THERE WAS SOME GREATER SCHEME AT WORK THAT THE STATE HAD YET TO UNRAVEL. 663 00:44:54,791 --> 00:44:57,794 - IS IT THAT SIMPLE ? - AND HE THREW IN SOME OF THE OLD TRUTH STUFF... 664 00:44:57,794 --> 00:45:00,297 HE HADN'T HAD THE CHANCE TO TROT OUT FOR DORIS. 665 00:45:00,297 --> 00:45:04,301 MAY AT FIRST LOOK AT THESE LINES AND SEE ONLY THE CHAOS OF A WORK OF MODERN ART. 666 00:45:04,301 --> 00:45:08,805 BUT IT IS YOUR JOB-- [ Ed ] HE TOLD THEM TO LOOK AT ME, LOOK AT ME CLOSE. 667 00:45:08,805 --> 00:45:11,808 THAT THE CLOSER THEY LOOKED, THE LESS SENSE IT WOULD ALL MAKE. 668 00:45:11,808 --> 00:45:15,812 THIS HUMAN, THIS BARBER. 669 00:45:15,812 --> 00:45:18,815 [ Ed ] THAT I WASN'T THE KIND OF GUY TO KILL A GUY, 670 00:45:18,815 --> 00:45:21,818 THAT I WAS THE BARBER, FOR CHRIST'S SAKE. 671 00:45:22,319 --> 00:45:25,322 I WAS JUST LIKE THEM, AN ORDINARY MAN. 672 00:45:25,322 --> 00:45:29,326 GUILTY OF LIVING IN A WORLD THAT HAD NO PLACE FOR ME, YEAH. 673 00:45:29,326 --> 00:45:32,829 GUILTY OF WANTING TO BE A DRY CLEANER, SURE. BUT NOT OF MURDER. 674 00:45:32,829 --> 00:45:37,334 BUT MOST SPECIFICALLY, THIS IS A BARBER'S DILEMMA. 675 00:45:37,334 --> 00:45:39,336 FOR HE IS MODERN MAN. 676 00:45:39,836 --> 00:45:41,838 HE SAID I WAS MODERN MAN. 677 00:45:41,838 --> 00:45:43,840 HE IS YOUR REFLECTION. 678 00:45:43,840 --> 00:45:45,842 AND IF THEY VOTED TO CONVICT ME, 679 00:45:45,842 --> 00:45:49,846 THEY'D BE PRACTICALLY CINCHING THE NOOSE AROUND THEIR OWN NECKS. 680 00:45:49,846 --> 00:45:52,849 HE TOLD THEM TO LOOK NOT AT THE FACTS, BUT AT THE MEANING OF THE FACTS. 681 00:45:52,849 --> 00:45:55,852 AND THEN HE SAID THE FACTS HAD NO MEANING. 682 00:45:56,353 --> 00:45:59,356 IT WAS A PRETTY GOOD SPEECH AND EVEN HAD ME GOING, 683 00:45:59,356 --> 00:46:02,359 UNTIL FRANKIE INTERRUPTED IT. 684 00:46:02,359 --> 00:46:06,363 - [ Crowd Gasps ] - WHAT KIND OF MAN ARE YOU ? 685 00:46:06,363 --> 00:46:08,865 WHAT KIND OF MAN ARE YOU ? 686 00:46:08,865 --> 00:46:11,868 MOVE FOR A MISTRIAL ! YOUR HONOR ! 687 00:46:11,868 --> 00:46:14,371 - WHAT KIND OF MAN ARE YOU ? - MOVE FOR A MISTRIAL. 688 00:46:14,371 --> 00:46:17,374 [ Ed ] WELL, HE GOT HIS MISTRIAL, BUT THE WELL HAD RUN DRY. 689 00:46:17,374 --> 00:46:19,876 THE COURT WILL COME TO ORDER. THERE WAS NOTHING LEFT TO MORTGAGE. 690 00:46:19,876 --> 00:46:24,381 RIEDENSCHNEIDER WENT HOME, AND THE COURT APPOINTED LLOYD GARROWAY, 691 00:46:24,381 --> 00:46:26,883 WHO THREW ME ON THE MERCY OF THE COURT. 692 00:46:26,883 --> 00:46:29,386 YOUR HONOR, WE PLEAD GUILTY... 693 00:46:29,386 --> 00:46:32,889 WITH EXTENUATING CIRCUMSTANCES. 694 00:46:32,889 --> 00:46:35,392 [ Ed ] IT WAS MY ONLY CHANCE, HE SAID. 695 00:46:35,392 --> 00:46:38,895 I GUESS THAT MEANT I NEVER HAD A CHANCE. ...ARGUMENTS OF THE DEFENSE. 696 00:46:39,396 --> 00:46:40,897 CERTAIN FACTS HAVE BEEN CLEARLY-- 697 00:46:41,398 --> 00:46:46,403 HE WASN'T BUYING ANY OF THAT MODERN MAN STUFF, OR THE UNCERTAINTY STUFF, 698 00:46:46,403 --> 00:46:48,405 OR ANY OF THE MERCY STUFF EITHER. 699 00:46:48,405 --> 00:46:50,907 THIS MAN IS A MENACE TO SOCIETY. 700 00:46:50,907 --> 00:46:52,909 NOPE, HE WAS GOING BY THE BOOK, 701 00:46:53,410 --> 00:46:56,413 IT IS THE JUDGMENT OF THIS COURT, AND IN SO DOING, AND THE BOOK SAID... 702 00:46:56,413 --> 00:46:59,916 I GOT THE CHAIR. HE HAS FORFEITED THE RIGHT TO HIS OWN LIFE. 703 00:46:59,916 --> 00:47:01,918 SO HERE I AM. 704 00:47:02,419 --> 00:47:04,921 AT FIRST I DIDN'T KNOW HOW I GOT HERE. 705 00:47:04,921 --> 00:47:07,424 I KNEW STEP BY STEP, OF COURSE, 706 00:47:07,424 --> 00:47:10,927 WHICH IS WHAT I'VE TOLD YOU, STEP BY STEP. 707 00:47:10,927 --> 00:47:14,931 BUT I COULDN'T SEE ANY PATTERN. 708 00:47:14,931 --> 00:47:17,934 NOW THAT I'M NEAR THE END, I'M GLAD THAT THIS MEN'S MAGAZINE... 709 00:47:17,934 --> 00:47:20,437 PAID ME TO TELL MY STORY. 710 00:47:20,937 --> 00:47:23,440 WRITING IT HAS HELPED ME SORT IT ALL OUT. 711 00:47:23,440 --> 00:47:25,442 THEY'RE PAYING ME FIVE CENTS A WORD, 712 00:47:25,442 --> 00:47:28,945 SO YOU'LL PARDON ME IF SOMETIMES I'VE TOLD YOU MORE THAN YOU WANTED TO KNOW. 713 00:47:28,945 --> 00:47:32,449 [ Bell Rings ] BUT NOW ALL THE DISCONNECTED THINGS SEEM TO HOOK UP. 714 00:47:34,451 --> 00:47:36,953 THAT'S THE FUNNY THING ABOUT GOING AWAY, 715 00:47:36,953 --> 00:47:40,457 KNOWING THE DATE YOU'RE GOING TO DIE. 716 00:47:40,457 --> 00:47:43,960 AND THE MEN'S MAGAZINE WANTED ME TO TELL HOW THAT FELT. 717 00:48:09,486 --> 00:48:13,990 WELL, IT'S LIKE PULLING AWAY FROM THE MAZE. 718 00:48:15,492 --> 00:48:18,495 WHILE YOU'RE IN THE MAZE, YOU GO THROUGH WILLY-NILLY, 719 00:48:18,495 --> 00:48:20,997 TURNING WHERE YOU THINK YOU HAVE TO TURN, 720 00:48:20,997 --> 00:48:22,999 BANGING INTO THE DEAD ENDS, 721 00:48:23,500 --> 00:48:26,002 ONE THING AFTER ANOTHER. 722 00:48:30,006 --> 00:48:32,509 BUT YOU GET SOME DISTANCE ON IT, 723 00:48:32,509 --> 00:48:34,511 AND ALL THOSE TWISTS AND TURNS-- 724 00:48:34,511 --> 00:48:39,516 WHY, THEY'RE THE SHAPE OF YOUR LIFE. 725 00:48:41,017 --> 00:48:43,520 IT'S HARD TO EXPLAIN. 726 00:48:45,021 --> 00:48:49,526 BUT SEEING IT WHOLE GIVES YOU SOME PEACE. 727 00:49:01,037 --> 00:49:05,041 [ Spaceship Engine Accelerating, Fading ] 728 00:49:22,559 --> 00:49:26,062 THE MEN'S MAGAZINE ALSO ASKED ABOUT REMORSE. 729 00:49:26,563 --> 00:49:31,067 YEAH, I GUESS I'M SORRY ABOUT THE PAIN I CAUSED OTHER PEOPLE. 730 00:49:32,569 --> 00:49:35,071 BUT I DON'T REGRET ANYTHING. 731 00:49:35,071 --> 00:49:37,073 NOT A THING. 732 00:49:37,073 --> 00:49:40,076 I USED TO. 733 00:49:40,076 --> 00:49:42,579 I USED TO REGRET BEING THE BARBER. 734 00:49:43,079 --> 00:49:45,081 [ Hinges Creaking ] 735 00:49:47,083 --> 00:49:50,587 [ Slow Footsteps ] 736 00:49:50,587 --> 00:49:53,590 [ Hinges Creaking ] 737 00:50:46,643 --> 00:50:49,145 I DON'T KNOW WHERE I'M BEING TAKEN. 738 00:50:50,647 --> 00:50:53,650 I DON'T KNOW WHAT I'LL FIND BEYOND THE EARTH AND SKY, 739 00:50:55,151 --> 00:50:58,154 BUT I'M NOT AFRAID TO GO. 740 00:50:58,655 --> 00:51:01,658 MAYBE THE THINGS I DON'T UNDERSTAND WILL BE CLEARER THERE, 741 00:51:01,658 --> 00:51:04,661 LIKE WHEN A FOG BLOWS AWAY. 742 00:51:07,163 --> 00:51:09,666 MAYBE DORIS WILL BE THERE. 743 00:51:10,166 --> 00:51:13,670 AND MAYBE THERE I CAN TELL HER... 744 00:51:13,670 --> 00:51:16,673 ALL THOSE THINGS... 745 00:51:16,673 --> 00:51:19,175 THEY DON'T HAVE WORDS FOR HERE.